(Saarbrücken, Alemania, 1958)
The current work of Roland Fischer alternates different photographic registers. On the one hand, the projection of portraits on monumental formats, furnishing the genre with pictoriality and mystery. On the other, his compositions on architectures that usually alternate overlays and transparencies, offering multiple viewpoints at the same time, images of facades with hints of Constructivism and a passion for geometric resources that extract the building out of context or its relationships with space and time, providing it with a new formalism that emphasizes its abstract structure. His work is present in the major international museums and photographic collections.